Informace o publikaci

Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre

Logo poskytovatele
Autoři

AMBROS Veronika

Rok publikování 2020
Druh Článek v odborném periodiku
Časopis / Zdroj Theatralia
Fakulta / Pracoviště MU

Filozofická fakulta

Citace
www http://hdl.handle.net/11222.digilib/142546
Doi http://dx.doi.org/10.5817/TY2020-1-2
Klíčová slova dramatic work; semiotics of theatre; Chinese theatre; avant-garde theatre; folk theatre; dramatic action; synthetic and analytical theory; dramatic text; actor; puppets; playwright; space; audience
Popis Zich's unique views of dramatic work initiated a performance theory avant la lettre. It was, however, as I argue a collective effort of Prague School theorists, whose polemics with Zich and among each other recognized the inherent semiotic potential of Zich's work. Often related to contemporary stage experiments, Zich's ideas explored topics like the mobility and hierarchy of signs, their respective functions, and the position of dramatic text, the concept of the 'actor's figure'. Zich and the discussions he incited are also useful for ideas of transitions between theatre and ceremony that enrich the current approach to the audience, space, and characters on the contemporary stage.
Související projekty:

Používáte starou verzi internetového prohlížeče. Doporučujeme aktualizovat Váš prohlížeč na nejnovější verzi.

Další info