Publication details

‘Not there’: ‘dark matter’ in Samuel Beckett’s Footfalls

Authors

LITTLE James Joseph

Year of publication 2021
Type Article in Periodical
Magazine / Source International Journal of Performance Arts and Digital Media
MU Faculty or unit

Faculty of Arts

Citation
Doi http://dx.doi.org/10.1080/14794713.2021.1874162
Keywords Genetic criticism; dark matter; Samuel Beckett; enactive cognition; mind; stage space
Description Samuel Beckett’s 1976 play Footfalls is built around elements which are invisible, or not quite there, in performance. This article uses the concept of ‘dark matter’ to analyse the play’s theatrical absences and their construction in the creative process. An analysis of the play’s manuscripts, digitized and transcribed as part of the Beckett Digital Manuscript Project, reveals that such ‘dark matter’ is not just a feature of the published text or performance, but is constitutive of Beckett’s creative process, particularly with regard to how he stages the mind. This article studies the models of mind staged in Footfalls in order to argue that Beckett uses the play’s ‘dark matter’ to enact the breakdown of subject and object in the play.
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