Publication details
Tracing the origins of Stradivari's resonance wood
| Authors | |
|---|---|
| Year of publication | 2026 |
| Type | Article in Periodical |
| Magazine / Source | DENDROCHRONOLOGIA |
| MU Faculty or unit | |
| Citation | |
| web | https://www.sciencedirect.com/science/article/pii/S1125786526000123 |
| Doi | https://doi.org/10.1016/j.dendro.2026.126480 |
| Keywords | Stradivari; Dendroprovenancing; Violin making; Resonance wood; Picea abies |
| Attached files | |
| Description | Stradivari’s violins represent the pinnacle of classical instrument making, yet the origins of the wood used to construct their soundboards have long remained unclear. By analysing 314 tree-ring series from 284 authenticated instruments, we show that the majority of soundboards were crafted from Norway spruce (Picea abies) that grew at very high elevations during the severe climatic conditions of the Maunder Minimum. Our data reveal that Stradivari frequently used wood from the same tree for multiple instruments and that its sources can be traced to the Eastern Alps. Comparison with 197 reference chronologies indicates that Stradivari’s early work drew on diverse and less easily localised sources. During his “golden age” of production from the early eighteenth century onwards, he consistently selected spruce from high-altitude forests in Trentino, Italy, and most likely from the Val di Fiemme in particular. These findings provide the first large-scale dendrochronological evidence for the geographic and environmental origins of Stradivari’s wood and offer new insights into both historical instrument making and the interplay between climate, materials, and musical heritage. |