Department of Musicology
Location: |
Janáčkovo nám. 654/2a, 602 00 Brno, Building N
Correspondence Address: Arna Nováka 1/1, 602 00 Brno |
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Phone: | +420 549 49 1562 |
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E-mail: |
Teaching
Courses taught
Spring 2000 at Faculty of Arts
Autumn 1999 at Faculty of Arts
- Proměny tempa v 18. století
- 17th_18th century history of music France: CI.
- 17th_18th century history of music: Italy : BI.
- 17th-18th century history of music: Bohemian countries
- Aesthetics in time of the multimedia
- Analytical Harmony
- Art and media
- Aspects of Sociology of Music
- Basics of PC work
- Basso continuo I.
- Building of Musical Instruments
- Collegium musicum AI.
- Collegium musicum BI.
- Composer and Musical Folklore I.
- Comprehensive Exam
- Computer Music Typography for Advanced I.
- Czech Aesthetics (ESA02, ESA03)
- Czech Aesthetics in Journals and Revues (1960-1970)
- Diploma Seminar I.
- Diploma Thesis
- Elements of Music Theory
- Ethnomusicology
- Ethnoogranology
- Excercise in Harmony and Counterpoint I.
- Excursion
- Harmony
- History of Czech Music I.
- Chamber music AI.
- Chamber music BI.
- Chamber music CI.
- Changes of style in European music 1600-1750 I.
- Chapters from Music History of 20th Century I.
- Chapters from the History of Baroque Music I.
- Interpretation (voice or instruments) AI.
- Interpretation (voice or instruments) BI.
- Interpretation seminary AI.
- Interpretation seminary BI.
- Interpretation seminary CI.
- Intonation
- Introduction to aesthetics and general theory of art
- Introduction to Heuristics I.
- Introduction to Historical Performance Practice I.
- Introduction to Hymnology
- Introduction to Musicology
- Introduction to Musicology I.
- Introduction to the elementary music theory
- Kierkegaard as Aesthetitian and Peripatetic
- Listening of Music I.
- Middle-European Modernity
- Middle-European Modernity: Texts and Research
- Monteverdi and Contemporary Music in Czech Lands
- Music history on Outline I.
- Musical Paleography I.
- Musical rhetorical figures
- Musicological Seminar AI.
- Musicological Seminar BI.
- Musicological seminar CI.
- Musics Analysis I.
- Musics didactics I.
- Musics Forms I.
- Opera in the 19th Century and the Wagnerian Reform I
- Organology I.
- Philosophy of Arts I.
- Proseminar of Musicology I.
- Reading and Interpretation: Style and Idea by A. Schönberg
- Seminar for diploma I.
- Seminar I: Czech modern music?
- Seminar Musical Audiences I. -Empirical Research
- Sonata and Symphony in 18th and 19th Centuries I.
- Sources from 18 th Century I.
- Special interpretation I.
- Theory and history of popular music
- Thomas Bernhard and Peter Handke: Similarities and Differences