Mgr. Andreas Hoffmann, Ph.D.
Teaching
Courses taught
Spring 2010 at Faculty of Arts
Spring 2005 at Faculty of Arts
Autumn 2004 at Faculty of Arts
Spring 2004 at Faculty of Arts
- 17th_18th century history of music England: B II.
- Bachelor Examination
- Bachelor Theses
- baroque orchester (SH_44b, SH_44d, SH_44f)
- Basso continuo II
- concert experiences (SH_97b, SH_97d, SH_97f)
- counterpoint
- Edition - Spartation of manuscripts
- extra credits (SH_99b, SH_99d, SH_99f)
- Historical Performance Sources II. (Quantz, C.Ph.Bach)
- Historical Performance Sources IV.
- Historical Performance Sources VI. (Quantz, C.Ph.Bach)
- Chamber music A II.
- Chamber music B II.
- Chamber music C II.
- Interpretation (voice or instruments) A II.
- Interpretation B II.
- Interpretation seminary A II.
- Interpretation seminary B II.
- Interpretation seminary CII.
- Introduction to Historical Performance Practice II.
- koncert degree
- koncert experiences
- listen to music II
- listen to music IV
- listen to music VI
- listening concerts (SH_96, SH_96b, SH_96d, SH_96f)
- Musical rhetorical figures
- Orchestra and Orchestration
- Qualifying examination
- reading and coments to german musicological papers
- Seminar for diploma II.
- Seminar for diploma IV.
- Special interpretation II.
- Tuning and Intonation II
- Written paper A
- Written paper B
Autumn 2003 at Faculty of Arts
- 17th_18th century history of music: Italy : BI.
- Bachelor Theses
- concert experiences
- Edition - Spartation of manuscripts
- Harmony
- Historical Performance Sources I. (Quantz, C.Ph.Bach)
- Historical Performance Sources III. (Quantz, C.Ph.Bach)
- Historical Performance Sources V. (Quantz, C.Ph.Bach)
- Chamber music A I.
- Chamber music B I.
- Chamber music CI.
- Interpretation (voice or instruments) A I.
- Interpretation (voice or instruments) B I.
- Interpretation seminary A I.
- Interpretation seminary B I.
- Interpretation seminary C I.