Publication details
The State-Socialist Mode of Production: A Small Film Industry between Berlin, Moscow and Hollywood
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| Year of publication | 2012 |
| Type | Appeared in Conference without Proceedings |
| MU Faculty or unit | |
| Citation | |
| Description | The aim of the paper was to articulate a comparative model for historical analysis of nationalized cinemas in the East-Central European region, using the Barrandov studios in Prague as an example. The key question it asked was: how was creativity and day-to-day production of films tactically managed in a system where the only real producer was the state? What organizational instruments had to be developed to balance the centralized control with necessary creative freedom? |
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