Publication details

Queering Shakespeare on Czech Stages in Recent Years

Authors

KRAJNÍK Filip

Year of publication 2024
Type Appeared in Conference without Proceedings
MU Faculty or unit

Faculty of Arts

Citation
Description The paper will address several recent Czech productions of Shakespeare’s works that incorporate – or are entirely based on – queer aesthetics. While the “queering” of Shakespeare has been a commonplace in anglophone cultures roughly since the 1980s, mainstream Czech theatre culture has only recently employed queer elements in Shakespearean productions. Examples might be Michal Lang’s all-male The Taming of the Shrew (2021), David Jařab’s Macbeth – Too Much Blood (2017) or Michal Hába’s A Midsummer Night’s Dream (2022). The paper will contrast and compare the individual directors’ and dramaturges’ strategies and will seek to define what “queer dramaturgy” means for Czech audiences.
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