Publication details

Cohabitation of Architectural Ideas in the Borderlands of Interwar Czechoslovakia

Authors

GALETA Jan

Year of publication 2026
Type Appeared in Conference without Proceedings
MU Faculty or unit

Faculty of Arts

Citation
Description Czechoslovakia was officially established in 1918 as a national state of Czechoslovaks – the Imagined nation that not only did not exist at that time but may never have existed at all. This state had significant German, Hungarian, and Ruthenian minorities, as well as a smaller Polish and Jewish population. This diversity resulted in a mixed population with varying architectural traditions and tastes. The architects of Czech origin, associated with centres in Prague, Brno or Zlín, adhered to a set of architectural ideas, often aligned with avant-garde movements, and exported these designs from centres to the border regions. However, the non-Czech inhabitants of the borderlands had different preferences and therefore sought a different kind of architecture, yet it could also be avant-garde. The proposed paper aims to explore three main points: 1) the preferences of non-Czech clients and the architects they sought; 2) whether the work of Czech architects can be considered an "import" to the borderland, or even a form of "visual "colonisation; 3) how these architectural phenomena coexisted in the borderland. I want to zoom in particular to the border town Znojmo (Znaim) in southern Moravia on the border with Austria, but with comparisons to other borderlands of Czechoslovakia. The proposed paper thus addresses topics like the survey of "underrepresented geographical regions", as well as "the potential of borderlands to disrupt the nation-state matrix" and "the mobility of artists and ideas".
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