Informace o publikaci

The Tangible and the Invisible : from Faces to Concepts, and to Malevich

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FOLETTI Ivan

Rok publikování 2022
Druh Článek v odborném periodiku
Časopis / Zdroj Codex Aqvilarensis
Fakulta / Pracoviště MU

Filozofická fakulta

Citace
www https://www.romanicodigital.com/otros-contenidos/revista-codex-aquilarensis
Klíčová slova Aniconic Images; Ornamentum; San Vincenzo al Volturno; Sant’Agnese in Rome; Golden Altar of Ambrose; Khachkars; “Crista” of Suger of Saint Denis; Malevich
Popis How to represent God was a crucial question in the early Middle Ages. While the idea that the face of Christ could be depicted was accepted, alternative versions emerged over the centuries. Following an initial phase with devotional images oscillating between mimetic and schematic, aniconic images appeared more prevalently. Aniconic ornamentum then became one of the most effective ways to give a tangible dimension to the invisible god.
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