Informace o publikaci
Multilevel Grounding Theory as Analytical Approach to Operatic Production – Theatre Studies Perspective
| Autoři | |
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| Rok publikování | 2024 |
| Druh | Další prezentace na konferencích |
| Fakulta / Pracoviště MU | |
| Citace | |
| Popis | The cognitive approach has already proved to be effective analytical tool for operatic production analysis from the point of view of theatre studies (see e.g. Havlíčková Kysová 2021). Especially the theories of Conceptual Metaphor Theory (Lakoff and Johnson 1980; Kövecses – e.g. 2010, 2020), Conceptual Blending (Fauconnier and Turner 2002), and Multimodal Metaphor (e.g. Forceville and Urios-Aparisi 2009) are valuable tools in approaching this theatrical genre. The paper is focused on the Multilevel Grounding theory of musical meaning, developed by Mihailo Antović (e.g. 2022), as a possible analytical approach to the operatic performance, being specifically developed to grasp the musical modality. On the examples from operatic productions created recently in the National Theatre in Brno, Czech Republic, the author examines direction-scenographic conceptions from the point of view of cognitive approach. The special attention is given to two productions directed by Jiří Heřman (1975), i.e. B. Smetana’s Libuše (2 |
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