Informace o publikaci
Unsettling Heimat and the Touristic Ideal : Tropes of the Uncanny in Lois Hechenblaikner's Anti-Heimat Photography
| Autoři | |
|---|---|
| Rok publikování | 2021 |
| Druh | Článek v odborném periodiku |
| Časopis / Zdroj | Austrian Studies |
| Fakulta / Pracoviště MU | |
| Citace | |
| www | https://doi.org/10.5699/austrianstudies.29.2021.0121 |
| Doi | https://doi.org/10.5699/austrianstudies.29.2021.0121 |
| Klíčová slova | heimat; austria; tourism; visual culture; |
| Přiložené soubory | |
| Popis | The pre-formatted surface of a Heimat idyll has long been an important site of criticism in Austrian culture. Expanding this critique within the Anti-Heimat genre, this article focuses on three photo series by Lois Hechenblaikner to argue that the uncanny represents a significant aspect in contemporary visual culture by subverting the strong visuality of the Heimat ideal as it is promoted in mass tourism. Dissecting Heimat as a commercial product, Hechenblaikner explores the dark sides of alpine tourism and mass consumerism and uses the uncanny as a central trope in unmasking the destructive elements of Heimat in the contemporary tourist industry. |
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